@inbook {7159,
	title = {Les contes patrimoniaux au prisme de l{\textquoteright}art contemporain},
	booktitle = {Le conte dans tous ses {\'e}tats. Fragmenter et r{\'e}enchanter le merveilleux au XX{\`e}me si{\`e}cle},
	year = {2018},
	pages = {41-52},
	publisher = {Presses Universitaires de Rennes},
	organization = {Presses Universitaires de Rennes},
	address = {Rennes},
	author = {Connan-Pintado, Christiane},
	editor = {Fix, Florence and Pernoud, Hemeline}
}
@inbook {7076,
	title = {Relectures iconographiques. La collection {\textquotedblleft}Il {\'e}tait une fois{\textquotedblright} chez Grasset Monsieur Chat},
	booktitle = {Fortune des Contes des Grimm en France. Formes et enjeux des r{\'e}{\'e}ditions, reformulations, r{\'e}{\'e}critures dans la litt{\'e}rature de jeunesse},
	series = {Mythographies et soci{\'e}t{\'e}s},
	year = {2013},
	pages = {185-261},
	publisher = {Presses universitaires Blaise Pascal},
	organization = {Presses universitaires Blaise Pascal},
	address = {Clermont-Ferrand},
	author = {Connan-Pintado, Christiane},
	editor = {Connan-Pintado, Christiane and Catherine Tauveron}
}
@book {7077,
	title = {Lire des contes d{\'e}tourn{\'e}s {\`a} l{\textquoteright}{\'e}cole. {\`A} partir des Contes de Perrault},
	year = {2009},
	pages = {287},
	publisher = {Hatier},
	organization = {Hatier},
	address = {Paris},
	author = {Connan-Pintado, Christiane}
}
