. 2011. « Anti-theatricality and Gesture as Antidotes to the Commodification of Cinema. Godard’s "Le Mépris" and Pasolini’s "La Ricotta" ». Critical Quarterly, vol. 53, no 1, juillet, p. 137-147.
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Anti-theatricality and Gesture as Antidotes to the Commodification of Cinema. Godard’s "Le Mépris" and Pasolini’s "La Ricotta"
